The
Great Gatsby, may be great to others, however, it is not one of my
favorites. I understand when people say they like the way that Fitzgerald wrote
it, and the tragic love story between Daisy and Gatsby. To me, that is not my
cup of tea, the book lacked excitement and conflict, two things I think
completes a climax. Plus I dislike it for the sheer reason of stirring up a
debate, or may I say, causing conflict. In my opinion, the climax worked up
with the death of Mrs. Wilson, and the tension increases as Mr. Wilson figures
out who killed his wife. That is when the zenith of the story should have
continued, following Wilson on his mission to kill Gatsby, and included a
dialogue of Gatsby valiantly giving his life for his love, Daisy. Now that is a
“Great Gatsby”, however some may enjoy the mystery of what happened and may
like to make up the scene themselves as I have just done. Or maybe they believe
that would ruin the style of the book, removing some of the mist surrounding
Gatsby’s life and death. On a good note, I did enjoy the subtle humor and the
other emotions evoked in me from the text. Such as the smile that was slapped
on my face from one of my favorite quotes on Gatsby “First he nodded
politely, and then his face broke into that radiant and understanding smile, as
if we’d been in ecstatic cahoots on that fact all the time.”(Fitzgerald 154). This
quote to me really captures the essence of a good friend, and it really
emphasizes the relationship between Nick and Gatsby. It reminds me of my childhood
friend and neighbor, but that is a different essay. I commend Fitzgerald on his
excellent ability to make these characters so real, that they can make people
feel happy or sad based on his words. That ability is an amazing one to possess
which brings me to my conclusion. Like I said before the book may not be my
favorite, but it is still a great story.
Wednesday, January 11, 2012
Gatsby Tone
·
“…signed by Jay Gatsby, in a majestic hand.”
(Fitzgerald 41)
·
“We hadn’t reached West Egg Village before Gatsby
began leaving his elegant sentences unfinished and slapping himself
indecisively on the knee of his caramel-colored suit.” (Fitzgerald 64)
·
“First he nodded politely, and then his face
broke into that radiant and understanding smile, as if we’d been in ecstatic
cahoots on that fact all the time.”(Fitzgerald 154)
Fitzgerald uses specific
word choice in his book, The Great
Gatsby, to emphasize and create dramatic tones. For example, in a sentence
describing Gatsby’s signature, he states, “…Signed by Jay Gatsby, in a majestic
hand.” (Fitzgerald 41). The fact that Fitzgerald says “elegant” creates a royal
or “old money tone” thus completing the illusion Gatsby was trying to create to
please Daisy. Another instance of this is when Nick and Gatsby are going for a
drive and Fitzgerald writes, “We hadn’t reached West Egg Village before Gatsby
began leaving his elegant sentences unfinished and slapping himself
indecisively on the knee of his caramel-colored suit.” (Fitzgerald 64). When Fitzgerald uses words such as
“unfinished” or “Indecisively” to describe Gatsby, it is a change in his
character. Thus creating almost a uncivilized tone. Then, the reader then
realizes that he only maintains this disguise in East Egg where Daisy lives.
However, Fitzgerald wanted to maintain the character of Gatsby as a good man
and friend. The night before Gatsby’s death, Fitzgerald describes him, “First
he nodded politely, and then his face broke into that radiant and understanding
smile, as if we’d been in ecstatic cahoots on that fact all the
time.”(Fitzgerald 154). The meaningful words “radiant” and “ecstatic” create a
happy and comforting mood for the reader. Nick and Gatsby’s friendship is strengthened
by this tone, only to have it shatter the next day, thus exemplifying the drama
in the book. Just another tool in Fitzgerald’s literary toolbelt.
Gatsby to Gatsby (text to itself)
Daisy, the
main female character, is part of a conflict between Gatsby and Tom. She is the
treasure that both men are after, her voice is described twice in the book, one
very different than the other. “Daisy began to sing the music in a husky,
rhythmic whisper, bringing out a meaning in each word that it had never before
and would never have again…each change tipped out a little of her warm human
magic upon the air.” (Fitzgerald 108). This description brings out a powerful
and almost mystical feeling to her voice. Her voice was described this way when
she was entering Gatsby’s house for a party, suggesting that she is acting in
the “new money” mannerisms when she is around Gatsby. This quote as compared to
this one, “[Her voice]…was full of money—that was the inexhaustible charm that
rose and fell in it, the jingle of it, the cymbals’ song of it…”(Fitzgerald
120). Suggests that her voice changes depending on who she’s with at the time. With
Gatsby it is a laid back and fun, confidant voice. With Tom she sounds like
royalty or “the kings daughter”.
Gatsby syntax
·
Periodic
sentence- “The crowd—it was now a crowd—stepped back involuntarily, and when
the door had opened wide there was a ghostly pause. Then gradually, part by
part, a pale, dangling individual stepped out of the wreck, pawing tentatively
at the ground with a large uncertain dancing shoe” (Fitzgerald page 54)
·
“it
was full of money—that was the inexhaustible charm that rose and fell in it,
the jingle of it, the cymbals’ song of it…High in a white palace the king’s
daughter, the golden girl.” (Fitzgerald 120)
·
“He
left, feeling that if her had searched harder, he might have found her—that he
was leaving her behind.” (Fitzgerald 153)
In F. Scott Fitzgerald’s
book, The Great Gatsby, syntax is
used in such a way to add another level to the book. In other words, it creates
a deeper plot and more clues are revealed. An instance of this is when a car is
crashed at one of Gatsby’s parties. “The crowd—it was now a crowd—stepped back
involuntarily, and when the door had opened wide there was a ghostly pause.
Then gradually, part by part, a pale, dangling individual stepped out of the
wreck, pawing tentatively at the ground with a large uncertain dancing shoe” (Fitzgerald
page 54). The periodic sentence creates a sense of mystery surrounding Gatsby’s
house and who resides within it. Also it hints to the “mask” Gatsby is wearing
to impress Daisy, which he is wishing will attend one of his parties. Gatsby
cares very much for Daisy when he was young and all the way to his untimely
death. When he was younger he had to stop searching for her. “He left, feeling
that if her had searched harder, he might have found her—that he was leaving
her behind.” (Fitzgerald 153). The dash marks a point in the sentence where Gatsby
wants to say “He left, feeling that he was leaving her behind.” Instead of the
actual sentence, this reveals a great love for Daisy by Gatsby. It can never be
however, Gatsby is new-money, Daisy is old-money. Even her voice is full of
money, “it was full of money—that was the inexhaustible charm that rose and
fell in it, the jingle of it, the cymbals’ song of it…High in a white palace
the king’s daughter, the golden girl.” (Fitzgerald 120). This Quote mentions “kings
daughter” signifying that Daisy inherited her money where as Gatsby made his. The
different life-styles made by this are not compatible, like “a pair of
star-cross’d lovers” their love was doomed from the start. All of these clues
and plot actions were revealed by the writer’s clever use of syntax.
Gatsby Rhetorical Strategies
·
Asyndeton- “The crowd—it was now a crowd—stepped back
involuntarily, and when the door had opened wide there was a ghostly pause.
Then gradually, part by part, a pale, dangling individual stepped out of the
wreck, pawing tentatively at the ground with a large uncertain dancing shoe” (Fitzgerald
page 54)
·
Simile-
“Then he kissed her. At his lips’ touch she blossomed for him like a flower and
the incarnation was complete” (Fitzgerald page 111)
·
Simile-
“A new world, material without being real, where poor ghosts, breathing dreams
like air, drifted fortuitously about… like that ashen, fantastic figure gliding
toward him through the amorphous trees.” (Fitzgerald page 161)
·
Metaphor-
“…Gatsby saw that the blocks of the sidewalks really formed a ladder and
mounted to a secret place above the trees—he could climb to it, if he climbed
alone, and once there he could suck on the pap of life, gulp down the
incomparable milk of wonder” (Fitzgerald 110)
·
Foreshadowing-
“ ‘Go away now, old sport?’ ‘Go to
Atlantic City for a week, or up to Montreal.’ ”(Fitzgerald 148)
Style is an opinion of the writer
and the reader combined. It essentially is an idea or situation proposed by the
writer, and it is reacted too by the reader thus the creation of style.
Fitzgerald’s style is ever-changing based on what he is talking about and how
far in the book you are. Firstly, in the beginning of the book, Fitzgerald uses
an asyndeton to express the sheer elementary drunkenness of this man. His style
in the excerpt is slow, and simple, like the man. “The crowd—it was now a
crowd—stepped back involuntarily, and when the door had opened wide there was a
ghostly pause. Then gradually, part by part, a pale, dangling individual
stepped out of the wreck, pawing tentatively at the ground with a large
uncertain dancing shoe” (Fitzgerald page 54). However, his style is not always
slow and simple, it becomes elegant and almost ritualistic when he describes a
scene with Gatsby and Daisy, “Then he
kissed her. At his lips’ touch she blossomed for him like a flower and the
incarnation was complete” (Fitzgerald page 111). His style, even though he does
not mention any surroundings, makes a picture and creates a feeling in the
reader’s head. Lastly, after Gatsby dies, his style turns for the serious and
solemn. As he describes the scene of Gatsby’s death, he uses many rhetorical
devices, “A new world, material without being real, where poor ghosts,
breathing dreams like air, drifted fortuitously about… like that ashen,
fantastic figure gliding toward him through the amorphous trees.” (Fitzgerald
page 161). The apparitions described
seem to mirror his style as he writes in slow, dark, and almost monotone.
Throughout the book his style mirrors the actions in the book.
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